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Bombay Art Deco Architecture : A Visual Journey (1930-1953)

Navin Ramani, Roli Books, 2007, 296 p, 222 photographs, ISBN : 81-7436-447-1, $65.00 (Includes free airmail shipping)
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Bombay Art Deco Architecture : A Visual Journey (1930-1953)/Navin Ramani

Contents: Acknowledgements. Foreword. Preface. I. Bombay: Asian city with a European past. II. The dawn of art deco in Bombay. III. Bombay art deco motifs: 1. The frozen fountain. 2. Streamlining. 3. Tropical imagery. 4. Egyptian and classical elements. 5. The influence of Indian tradition and mythology. 6. Nautical design features. 7. Ziggurats and zigzags. 8. Eyebrows, angles and grilles. 9. Architectural lettering. IV. The buildings: 1. Public and commercial. 2. Residential. 3. Cinemas: Regal, Eros, Liberty, New  Empire, Metro. 4. Hotels. V. Bombay--Miami Beach (BoMi) deco: A tale of two subtropical deco cities. VI. Preserving and resurrecting Bombay art deco.  Index/appendices. Building and district index. Glossary. Bibliography and suggested reading.

"Bombay Art Deco Architecture -- A Visual Journey (1930-1953) presents a treasury of art deco buildings comprising residential, commercial and public architecture created during the glamorous and optimistic era of the mid 1930s and 1940s. The architects, a small list of the first generation of modern Indian architects, were trained in western architectural traditions, if not actually in the west. These architects, influenced by the fashionable aesthetic current in Europe, were eager to imbue the city with a new modern style. The style shares provenance with the art deco architecture of Miami Beach, termed tropical deco by Laura Cerwinske in her seminal 1981 book. Built in the same era, the art deco architecture of the two cities exhibits similar scale, geometry, tropical vocabulary, and love of romance.

Author Navin Ramani lived in Bombay for 21 years, in an art deco apartment building called Court View formerly owned by his grandparents. Much of his childhood was spent exploring his deco-rich neighborhood. It was not until Ramani moved to Miami in 1989 and encountered the Miami Beach Art Deco District that he recognized the great architectural legacy of his hometown. But while that great treasury of Miami Beach hotels and apartments has been internationally recognized, nationally protected, and well documented, the larger assembly of art deco buildings in Bombay has, until now, been taken for granted. Bombay Art Deco Architecture provides an insightful exploration of its beauty and abundance." (jacket)

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