Odissi : The Third Classical Form of Indian Music

Contents: Foreword. Preface. 1. Introduction to Odissi Music. 2. The historical background of Odissi Music. 3. The texts and the musicians of Odissi Music. 4. Odissi Music. Bibliography. Index.

The author in his treatise “Odissi: The Third Classical Form of Indian Music” firmly establishes the distinctiveness of Odissi music, that distinguishes it from the musical semantics of Hindustani and Carnatic Music. The work delves into the ontological explanation of Odissi music and achieves in arriving at the exclusive characteristics of the Musical system-the language, dhavani, rituals, social norms, customs and its originally in Music. The oral tradition of Odissi music naturally proves its singularity in the context of Indian classical music by establishing its Independent classical identity.

Many other features of this important study include the style pertaining to several scholars of Odissi music. The history of Odissi music, the distinct musical structure and the context of Odissi music highlighting the living traditions and its musical relevance in Odisha and the fruitful dissemination of Odissi music as a third classical form, transcending the regional barriers by ressuring its national identity. It has its own uniquencess in it.

The tradition of music in Odisha is very ancient. It has a hoary history and heritage. Its singing style is different from others. Udra style or today called Odissi style had its origin in the very ancient age. The literature, history, the sculptural works in the temples and the writings of Kharavela in the Udayagiri and the Elephant Cave bear testimony to it. Judged from the archaeological point of view the origin of the Odissi and dance, music and drama could be traced back to 300 B.C. or in other words, it is two thousand and five hundred years old. The histories, the vicissitudes the texts the heritage, the theories in practice, the artists of Odissi music are discussed.

Prominently the lyrics of Jayadeva laid a strong foundation in the creation of classic tradition in Odisha. In course of time the Odissi music-prabandha and ragas are included in the music of Jagannath Temple, Jayadeva’s Gita Govinda. (jacket)